Notice bibliographique
- Notice
000 cam 22 3 450
001 FRBNF444150620000001
010 .. $a 1849763178
010 .. $a 9781849763172 $b br.
035 .. $a OCoLC894842561
100 .. $a 20160119d2014 m y0engy50 ba
101 0. $a eng
102 .. $a GB
105 .. $a a z 00|y|
106 .. $a r
181 .0 $6 01 $a i $b xxxe $a b $b xb2e
181 .. $6 02 $c txt $c sti $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Sonia Delaunay $b Texte imprimé $e [exhibition, Musée d'Art Moderne de la Ville de Paris, 17 October 2014 - 22 February
2015, Tate Modern, London, 15 April - 9 August 2015] $f [organised by Musée d'art moderne de la Ville de Paris in collaboration with Tate
Modern]
205 .. $a English edition
210 .. $a London $c Tate Publishing $d 2014 $a New York $c Abrams
215 .. $a 1 vol. (288 p.) $c ill. en coul. $d 29 cm
300 .. $a Bibliogr. p. 286-287
327 1. $a In St. Petersburg /Jean-Claude Marcadé $a Nu jaune, 1908 /Brigitte Leal $a Being Russian in Paris /Sherry Buckberrough $a 'Voyelles' : Sonia Delaunay and the universal language of colour hearing /Pascal Rousseau $a Sonia Delaunay at the German Salon d'Automne /Sophie Goetzmann $a On time : Sonia Delaunay's sequential Simultanism /Juliet Bellow $a Sonia Delaunay, Tristan Tzara, Iliazd and others /Cécile Bargues $a The métier of Simultanism /Cecile Godefroy $a Sonia Delaunay : the designs for Metz 惘. /Matteo de Leeuw-de Monti $a A circular story /Guitemie Maldonado $a Confused origins /Laurence Bertrand Dorléac $a Art criticism and the problem of the non-modern story of modern art /Griselda Pollock $a Conquering the Paris art scene in the 1950s and 1960s /Domitille d'Orgeval $a In focus : picturing Sonia Delaunay /Juliet Bingham $a 'Le vierge, le vivace et le bel aujourd'hui' /Anne Montfort
330 .. $a Sonia Delaunay (1885 - 1979) is one of the most important female artists of the early
twentieth century, whose contribution to the European avant-garde was fundamental.
Russian-born, she moved to Paris in 1906 where she studied at the Academie de la Palette.
Her early work was influenced by the bold Fauvist paintings of Matisse, Gauguin and
Van Gogh among others. Shifting her interest to abstraction, she celebrated the modern
world and urban life, exploring ideas of colour theory together with her husband Robert
Delaunay. She also collaborated with artists and poets such as Guillaume Apollinaire
and Blaise Cendrars with whom she created the acclaimed book Prose on the Transsiberian
Railway and of Little Jehanne of France. After spending time in Spain and Portugal
during the First World War, Delaunay returned to Paris in the 1920s where she translated
her experiments in painting into the realm of fashion. She collaborated with the Metz
惘 textile department in Amsterdam and Liberty in London and also produced individual
items of clothing under commission. Her interest in fashion expanded into theatre
and cinema, for which she created costumes and designs for film sets. During the Second
World War and soon after, she participated in the creation of the Salon des Realites
Nouvelles (1939) and developed her interest in different media, creating mosaics,
tapestries and lithographs. In the same period, her paintings and gouaches evoked
a renewed interest in abstraction and colour, marking her seminal role in the development
of postwar abstract and applied art
503 1. $a Exposition $m Paris $n Musée d'art moderne de la Ville de Paris $j 2014 $j 2015
503 1. $a Exposition $m Londres $n Tate modern $j 2015
801 .3 $a US $b OCoLC $c 20160119 $h 894842561 $2 marc21
801 .0 $b CDX $g rda
930 .. $5 FR-751131010:44415062001001 $a 2015-226859 $b 759999999 $c Tolbiac - Rez de Jardin - Littérature et art - Magasin $d O
