Notice bibliographique
- Notice
000 cam 22 3 450
001 FRBNF443310250000004
010 .. $a 9780231162203 $b cloth $b acid-free paper
010 .. $a 0231162200 $b cloth $b acid-free paper
010 .. $a 9780231162210 $b pbk. $b acid-free paper
010 .. $a 0231162219 $b pbk. $b acid-free paper $z 9780231538473 $b ebook
035 .. $a OCoLC880565906
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100 .. $a 20150721d2015 m y0engy50 ba
101 0. $a eng
102 .. $a US
105 .. $a a z 001y|
106 .. $a z
181 .0 $6 01 $a i $b xxxe $a b $b xb2e
181 .. $6 02 $c txt $c sti $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Maya Deren $b Texte imprimé $e incomplete control $f Sarah Keller
210 .. $a New York $c Columbia University Press $d cop. 2015
215 .. $a 1 vol. (XI-278 p.) $c ill. $d 24 cm
225 |. $a Film and culture
300 .. $a Includes bibliographical references (p. 247-267)
300 .. $a Index
327 1. $a Introduction: unfinished business ; Done and undone: Meshes of the afternoon and
Witch's cradle ; Toward completion and control: At land, A study in choreography
for camera, and Ritual in transfigured time ; Haiti ; Full circle ; Conclusion:
in completing a thought.
330 .. $a "Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and
photographer working at the forefront of the American avant-garde in the 1940s and
1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal
film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol,
looped narrative and provocative imagery, setting the stage for the twentieth-century's
groundbreaking aesthetic movements and films. [This] assesses both the filmmaker's
completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic
is founded on principles of incompletion, contingency, and openness. Combining the
contrasting approaches of documentary, experimental, and creative film, Deren created
a wholly original experience for film audiences that disrupted the subjectivity of
cinema, its standards of continuity, and its dubious facility with promoting categories
of realism. This critical retrospective reflects on the development of Deren's career
and the productive tensions she initiated that continue to energize film"--Publisher's
description
410 .0 $0 34287671 $t Film and culture $d 2015
600 .| $3 12526593 $a Deren $b Maya $f 1917-1961 $3 12042895 $x Critique et interprétation $2 rameau
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930 .. $5 FR-751041001:44331025002001 $a 791.430 92 DER Kel $b 759999999 $c Richelieu - Arts du spectacle - Libre accès $d N
