Notice bibliographique

  • Notice

Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation

Auteur(s) : Miller, Gabriel (1948-....)  Voir les notices liées en tant qu'auteur

Titre(s) : William Wyler [Texte imprimé] : the life and films of Hollywood's most celebrated director / Gabriel Miller

Publication : Lexington, Kentucky : University Press of Kentucky, © 2013

Description matérielle : 483 pages, [24] unnumbered pages of plates : illustrations ; 24 cm

Collection : Screen classics

Lien à la collection : Screen classics 


Comprend : Discovering a vocation and a style: The Shakedown (1929), The Love Trap (1929), Hell's Heroes (1930), A House Divided (1931) ; Coming into his own: Counsellor-at-Law (1933) ; First-class pictures: These Three (1936) ; The Wyler touch: Dodsworth (1936) ; A concoction: Come and Get It (1936) ; The street where they live: Dead End (1937) ; Gone with the plague: Jezebel (1938) ; Home on the moors and the range: Wuthering Heights (1939), The Westerner (1940), The Letter (1940) ; Bette Davis and the South redux: The Little Foxes (1941) ; War films: Mrs. Miniver (1942), Memphis Belle (1944), Thunderbolt (1945) ; The way home: The Best Years of Our Lives (1946) ; The American scene I: The Heiress (1949) ; The American scene II: Carrie (1952) ; The House Un-American Activities Committee: Detective Story (1951), Roman Holiday (1953), The Desperate Hours (1955), The Children's Hour (1961) ; The pacifist dilemma: Friendly Persuasion (1956), The Big Country (1958), Ben-Hur (1959) ; Final projects: The Collector (1965), How to Steal a Million (1966), Funny Girl (1968), The Liberation of L.B. Jones (1970)

Note(s) : Includes bibliographical references (pages 453-459) and index
During his forty-five-year career, William Wyler (1902--1981) pushed the boundaries of filmmaking with his gripping storylines and innovative depth-of-field cinematography. With a body of work that includes such memorable classics as Jezebel (1938), Mrs. Miniver (1942), Ben-Hur (1959), and Funny Girl (1968), Wyler is the most nominated director in the history of the Academy Awards and bears the distinction of having won an Oscar for Best Director on three occasions. Both Bette Davis and Lillian Hellman considered him America's finest director, and Sir Laurence Olivier said he learned more about film acting from Wyler than from anyone else. In William Wyler, Gabriel Miller explores the career of one of Hollywood's most unique and influential directors, examining the evolution of his cinematic style. Wyler's films feature nuanced shots and multifaceted narratives that reflect his preoccupation with realism and story construction. The director's later works were deeply influenced by his time in the army air force during World War II, and the disconnect between the idealized version of the postwar experience and reality became a central theme of Wyler's masterpiece, The Best Years of Our Lives (1946). None of Wyler's contemporaries approached his scope: he made successful and seminal films


Sujet(s) : Wyler, William (1902-1981) -- Critique et interprétation  Voir les notices liées en tant que sujet

Indice(s) Dewey :  791.430 233092 (23e éd.) = Cinéma - Réalisation - Biographie  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 9780813142098 (hardcover) (alk. paper). - ISBN 0813142091 (hardcover) (alk. paper). - ISBN 9780813142104 (erroné) (epub). - ISBN 9780813142111 (erroné) (pdf). - ISBN 0813142113 (pdf). - ISBN 9780813142111 (pdf)

Identifiant de la notice  : ark:/12148/cb44309168m

Notice n° :  FRBNF44309168 (notice reprise d'un réservoir extérieur)



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