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Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation

Auteur(s) : Goodlad, Lauren M. E. (1961-....)  Voir les notices liées en tant qu'auteur

Titre(s) : The Victorian geopolitical aesthetic [Texte imprimé] : realism, sovereignty, and transnational experience / Lauren M.E. Goodlad

Édition : First edition

Publication : Oxford : Oxford University Press, 2015

Description matérielle : 353 pages : illustrations ; 24 cm

Comprend : Toward a Victorian Geopolitical Aesthetic ; Imperial Sovereignty: The Limits of Liberalism and the Case of Mysore ; Trollopian "Foreign Policy": Rootedness and Cosmopolitanism in the Mid-Victorian Global Imaginary ; "India is 'a Bore'": Imperial Governmentality in The Eustace Diamonds ; "Dark, Like Me": Archeology and Erfahrung in Wilkie Collins's Armadale and The Moonstone ; The Adulterous Geopolitical Aesthetic: Romola contra Madame Bovary ; Where Liberals Fear to Tread: E.M. Forster's Queer Internationalism and the Ethics of Care ; The Mad Men in the Attic: Seriality and Identity in the Modern Babylon ; Coda: The Way We Historicize Now.

Note(s) : Includes bibliographical references and index
How did realist fiction alter in the effort to craft forms and genres receptive to the dynamism of an expanding empire and globalizing world? Do these nineteenth-century variations on the "geopolitical aesthetic" continue to resonate today? Crossing literary criticism, political theory, and longue duree history, 'The Victorian geopolitical aesthetic' explores these questions from the standpoint of mid-nineteenth-century novelists such as Wilkie Collins, George Eliot, Gustave Flaubert, and Anthony Trollope as well as successors including E. M. Forster and the creators of recent television serials. By looking at the category of "sovereignty" at multiple scales and in diverse formal, geographic, and historical contexts, Lauren M. E. Goodlad shows that the ideological crucible for "high" realism was not a hegemonic liberalism. It was, rather, a clash of modern liberal ideals struggling to distintricate themselves from a powerful conservative vision of empire while striving to negotiate the inequalities of power along lines of race, gender, nationality, and ethnicity which a supposedly universalistic liberalism had helped to generate. The material occasion for the mid-Victorian era's rich realist experiments was, thus, the transition from an informal empire of trade that could be celebrated as "liberal" to a neo-feudal imperialism that only Tories could warmly embrace. In this way the book places realism's "geopolitical aesthetic" at the heart of recurring modern experiences of breached sovereignty, forgotten history, and subjective exile. The Coda, titled "The Way We Historicize Now," concludes the book with connections to recent debates about "surface reading" "distant reading," and the hermeneutics of suspicion


Sujet(s) : Littérature anglaise -- 19e siècle  Voir les notices liées en tant que sujet
Réalisme (littérature)  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 9780198728276. - ISBN 0198728271
EAN 9780198728276

Identifiant de la notice  : ark:/12148/cb44283047d

Notice n° :  FRBNF44283047 (notice reprise d'un réservoir extérieur)



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