Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Auteur(s) : Isler-Kerényi, Cornelia
Titre(s) : Dionysos in classical Athens [Texte imprimé] : an understanding through images / by Cornelia Isler-Kerényi ; translated by Anna Beerens
Publication : Leiden ; Boston : Brill, ©2015
Description matérielle : xx, 290 pages : illustrations ; 25 cm
Collection : Religions in the Graeco-Roman world, ISSN 0927-7633 ; volume 181
Lien à la collection : Religions in the Graeco-Roman world
Comprend : Introduction. Dionysos in 6th-century imagery ; The retinue of Dionysos : Who are
the satyrs, who are the women? ; Dionysos in the 5th century, and his transformation
after 450 B.C. ; [1] Dionysiac subjects in red-figure pottery ; [2] Dionysos for
Athens, Dionysos for all. Dionysiac pottery around 500 B.C. ; Late black-figure vases
; Early red-figure vases ; Red-figure cups of the final quarter of the 6th century
; [3] All kinds of satyrs. The first decades of the 5th century ; The painters of
large vases ; Painters of cups ; Tentative conclusions ; [4] Dionysos, a god for
the Athenians. Developments after 480 B.C. ; Hermonax and his contemporaries ; The
imagery of red-figure pointed amphorae ; The pelikai of the painter of the birth of
Athena ; [5] Dionysiac mythology in flux. Vase imagery between 480 and 430 B.C. ;
Traditional Dionysiac subjects ; The child Dionysos ; Dionysos in love ; [6] Unfamiliar
and unknown Dionysiac rituals. Boys and girls in the realm of Dionysos ; A domestic
Dionysiac ritual ; Dionysos' chair. 1) A satyr carrying a chair ; 2) The unoccupied
chair ; 3) Dionysos has arrived ; Child satyrs in Dionysos' retinue ; A ritually honored
Etruscan Dionysos ; [7] A new Dionysos at the Parthenon. Decoration program and message
; Dionysos' gigantomachy ; Dionysos in the east pediment ; Dionysos in the Parthenon
frieze ; Reflections of the west pediment in vase painting ; [8] The new Dionysos
in vase painting ; [9] Images of Dionysos from 430 B.C. onwards. Dionysos on stage.
1) Kratinos' Dionysalexandros, 2) Aristophanes' frogs, 3) Euripides' bacchae ; Dionysos
in 4th-century sculpture ; A look at vase painting ; The Derveni krater ; [10] Summing
up. Anonymous prototypes ; The changing image of Dionysos ; Dionysos in classical
Athens ; Works cited ; Index. 1) Museums ; 2) Vases following Beazley ; 3) Vases
following Beazley archive database (BA) ; 4) Vases and other works following LIMC
; General.
Note(s) : Includes bibliographical references and indexes
"Dionysos, with his following of satyrs and women, was a major theme in a big part
of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of
their time, the imagery on these vases convey what this god meant to his worshippers.
It becomes clear that - contrary to what is usually assumed - he was not only appropriate
for wine, wine indulgence, ecstasy and theatre. Rather, he was present in both the
public and private sphere on many, both happy and sad, occasions. In addition, the
vase painters have emphasized different aspects of Dionysos for their customers inside
and outside of Athens, depending on the political and cultural situation"
Sujet(s) : Dionysos (divinité grecque)
Peinture de vases grecque
Identifiants, prix et caractéristiques : ISBN 9789004270114. - ISBN 9004270116. - ISBN 9789004270121 (erroné)
Identifiant de la notice : ark:/12148/cb44249256j
Notice n° :
FRBNF44249256
(notice reprise d'un réservoir extérieur)
