Notice bibliographique
- Notice
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010 .. $a 90-420-3826-8 $b br.
035 .. $a OCoLC875151783
100 .. $a 20150617d2014 m y0engy50 ba
101 0. $a eng
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181 .0 $6 01 $a i $b xxxe
181 .. $6 02 $c txt $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Rethinking négritude through Léon-Gontran Damas $b Texte imprimé $f F. Bart Miller
210 .. $a Amsterdam $a New York $c Rodopi $d 2014
215 .. $a 1 vol. (261 p.) $d 23 cm
225 |. $a Francopolyphonies $v 16
300 .. $a Bibliogr. p. 243-258. Index
330 .. $a This book analyses four cases in which Damasian Négritude shifted through generic
experimentation : "Pigments" (1937) ; "Retour de Guyane" (1938) ; "Veillées noires"
(1943) and "Black-Label" (1956). In doing so, it also advances scholarship on Damas
in two ways. On the one hand, it undertakes the crucial and in-depth research needed
to challenge the understanding of Négritude as a bipartite (Césaire and Senghor) phenomenon.
On the other hand, it offers an innovative reading of Damas whose work deserves more
complete consideration than it has received thus far. Reading this essay will illuminate
Damas' works and their relationship to one another, thus demonstrating the continuity
of Damasian Négritude
410 .0 $0 42150587 $t Francopolyphonies (Amsterdam) $x 1574-2032 $v 16
600 .| $3 11898508 $a Damas $b Léon-Gontran $f 1912-1978 $3 12042895 $x Critique et interprétation $2 rameau
676 .. $a 841.91 (critique) $v 23
801 .3 $a US $b OCoLC $c 20150617 $h 875151783 $2 marc21
801 .0 $b ERASA $g rda
930 .. $5 FR-751131010:44203606001001 $a 2015-90124 $b 759999999 $c Tolbiac - Rez de Jardin - Littérature et art - Magasin $d O
