Notice bibliographique
- Notice
000 cam 22 3 450
001 FRBNF438587230000009
010 .. $a 9789058679437
010 .. $a 9058679438
035 .. $a OCoLC828187453
100 .. $a 20140918d2013 m y0engy50 ba
101 0. $a eng
102 .. $a BE
105 .. $a a z 00|y|
106 .. $a z
181 .0 $6 01 $a i $b xxxe $a b $b xb2e
181 .. $6 02 $c txt $c sti $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a Heterogeneous objects $b Texte imprimé $e intermedia and photography after modernism $f edited by Raphaël Pirenne & Alexander Streitberger
210 .. $a Leuven, [Belgium] $c Leuven University Press $d c2013
215 .. $a xxii, 185 pages $c illustrations (some color) $d 23 cm
225 |. $a Lieven Gevaert Series $v v. 15
300 .. $a Includes bibliographical references
327 1. $a Automat, automatic, automatism : Rosalind Krauss and Stanley Cavell on photography
and the "photographically-dependent" arts /Diarmuid Costello $a Eleven color photographs : Nauman, Man Ray and Wittengenstein : the skepticism of
the medium /Raphaël Pirenne $a The return of the panorama /Alexander Streitberger $a Panoptic city : topography and photography of the scrutinizing gaze /Steven Jacobs $a The visual flow : fixity and transformation in photo- and videographic imagery /Yvonne
Spielmann $a From perception to projection : on the future of technical images /Marcel René Marburger $a Orozco, Heidegger and the visibility of things /Joanna Lowry $a Intermediality, for the sake of radical neutrality, in Peter Friedl's work /Hilde
Van Gelder
330 .. $a Heterogeneous objects provides various essays that explore the encounter of photography
with other media since the 1960s. The essays offer new ways of thinking about photography
beyond modernist notions of medium specificity and autonomy based upon the idea that
a photograph does not rely on a coherent system of codes but is almost always encountered
as a fragmented, partial object. Addressing recent debates in art history and photography
theory, film studies, and media theory, the contributions cover a broad array of approaches,
relating photography to issues of the panorama, surveillance, sculpture, transformation
and processuality, and the development of new media categories. Rather than conceiving
of photography as a medium, the aim is to reconsider the photograph as a historically,
theoretically, and culturally embedded heterogeneous object that is always related
to, in contact with, or shaped by other media
410 .0 $0 41062331 $t Lieven Gevaert series $v 15
676 .. $a 770.1 $v 23
801 .3 $a US $b OCoLC $c 20140918 $h 828187453 $2 marc21
801 .0 $b ERASA
930 .. $5 FR-751131010:43858723001001 $a 2014-194224 $b 759999999 $c Tolbiac - Rez de Jardin - Littérature et art - Magasin $d O
