Notice bibliographique
- Notice
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001 FRBNF438324300000002
010 .. $a 9781844573424 $b hardcover
010 .. $a 1844573427 $b hardcover
010 .. $a 9781844573417 $b softcover
010 .. $a 1844573419 $b softcover
035 .. $a OCoLC858804873
100 .. $a 20140812d2013 m y0engy50 ba
101 0. $a eng
102 .. $a GB
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200 1. $a The documentary film book $b Texte imprimé $f edited by Brian Winston
210 .. $a Houndmills, Basingstoke, Hampshire $a New York $c Palgrave Macmillan on behalf of the British Film Institute $d 2013
215 .. $a xv, 400 pages $c illustrations $d 26 cm
300 .. $a Includes bibliographical references and index
327 1. $a Foreword: Why Documentaries Matter ; Introduction: The Filmed Documentary. PART
I: DOCUMENTARY VALUES. The Question of Evidence, the Power of Rhetoric and Documentary
Film / Bill Nichols ; 'I'll Believe It When I Trust the Source': Documentary Images
and Visual Evidence / Carl Plantinga ; 'The Performance Documentary': The Performing
Film-Maker, the Acting Subject / Stella Bruzzi ; On Truth, Objectivity and Partisanship:
The Case of Michael Moore / Douglas Kellner ; CGI and the End of Photography as Evidence
/ Taylor Downing ; Drawn From Life: The Animated Documentary / Andy Glynne ; Dramadoc?
Docudrama? The Limits and Protocols of a Televisual Form / Derek Paget ; Ambiguous
Audiences / Annette Hill ; Life As Narrativised / Brian Winston ; The Dance of Documentary
Ethics / Pratap Rughani ; Deaths, Transfigurations and the Future / John Corner.
PART II: DOCUMENTARY PARADIGMS. Problems in Historiography: The Documentary Tradition
Before Nanook of the North / Charles Musser ; John Grierson and the Documentary Film
Movement / Ian Aitken ; Challenges For Change: Canada's National Film Board / Thomas
Waugh and Ezra Winton ; Grierson's Legacies: Australia and New Zealand / Deane Williams
; New Deal Documentary and the North Atlantic Welfare State / Zoe Druick and Jonathan
Kahanan ; The Triumph of Observationalism: Direct Cinema in the USA / Dave Saunders
; Russian and Soviet Documentary: From Vertov to Sokurov / Ian Christie ; The Radical
Tradition in Documentary Film-making, 1920s-50s / Bert Hogenkamp ; Le Groupe des
trente: The Poetic Tradition / Elena Von Kassel Siambani ; Cinéma Vérité: Vertov
Revisited / Genevieve Van Cauwenberge ; Beyond Sobriety: Documentary Diversions /
Craig Hight. PART III: DOCUMENTARY HORIZONS. Eastwards / Abe Mark Nornes ; Africa
N. / Frank Ukadike ; Images From the South: Contemporary Documentary in Argentina
and Brazil / Ana Amado and Maria Dora Mourao ; 'Roadblock' Films, 'Children's Resistance'
Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada
/ Il Raya Morag ; Sacred, Mundane and Absurd Revelations of the Everyday ; Poetic
Vérité in the Eastern European Tradition / Susanna Helke. PART IV: DOCUMENTARY VOICES.
First-Person Political / Alisa Lebow ; Feminist Documentaries: Finding, Seeing and
Using Them / Julia Lesage ; Pioneers of Black Documentary Film / Pearl Bowser ;
LGTBs' Documentary Identity / Christopher Pullen ; Docusoaps: The Ordinary Voice
as Popular Entertainment / Richard Kilborn ; Reality TV: A Sign of the Times? / Anita
Biressi and Heather Nunn. PART V: DOCUMENTARY DISCIPLINES. Anthropology: The Evolution
of Ethnographic Film / Paul Henley ; Science, Society and Documentary / Tim Boon
; History Documentaries for Television / Ann Gray ; Music, Documentary, Music Documentary
/ Michael Chanan ; Art, Documentary as Art / Michael Renov. PART VI: DOCUMENTARY
FUTURES. Documentary as Open Space / Helen de Michiel and Patricia R. Zimmermann
; 'This Great Mapping of Ourselves': New Documentary Forms Online / John Dovey and
Mandy Rose ; New Platforms for 'Docmedia': 'Varient of a Manifesto' / Peter Wintonick
; Afterword: The Unchanging Question / Brian Winston.
330 .. $a "Powerfully posing questions of ethics, ideology, authorship and form, documentary
film has never been more popular than it is today. Edited by one of the leading British
authorities in the field, 'The Documentary Film Book' is an essential guide to current
thinking on documentary film. In a series of fascinating essays, key international
experts discuss the theory of documentary, outline current understandings of its history
(from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary
production (from Africa to Europe, and from the Americas to Asia), consider documentaries
by marginalised minority communities, and assess its contribution to other disciplines
and arts. Brought together here in one volume, these scholars offer compelling evidence
as to why, over the last few decades, documentary has come to the centre of screen
studies."--Page 4 of cover
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