Notice bibliographique
- Notice
000 nam 22 3 450
001 FRBNF436730880000004
010 .. $a 9780415528016
035 .. $a OCoLC768171382
100 .. $a 20130919d2013 m y0frey50 ba
101 0. $a eng
102 .. $a GB
105 .. $a ||||z 00|||
106 .. $a s $a r
135 .. $a dru||||||||||
181 .0 $6 01 $a i $b xxxe
181 .. $6 02 $c txt $2 rdacontent
182 .0 $6 01 $a b
182 .. $6 02 $c c $2 rdamedia
200 1. $a The music documentary $b Texte électronique $e Acid Rock to Electropop $f edited by Robert Edgar, York St. John University, Kirsty Fairclough-Isaacs, University
of Salford, and Benjamin Halligan, University of Salford
210 .. $a New York $a London $c Routledge $d 2013
215 .. $a 1 ressource dématérialisée
225 1. $a Routledge music and screen media series
330 .. $a "The Music Documentary offers a wide-range of approaches, across key moments in the
history of popular music, in order to define and interrogate this prominent genre
of film-making. The writers in this volume argue persuasively that the music documentary
must be considered as an essential cultural artefact in documenting stars and icons,
and musicians and their times - particularly for those figures whose fame was achieved
posthumously. In this collection of fifteen essays, the reader will find comprehensive
discussions of the history of music documentaries, insights in their production and
promotion, close studies of documentaries relating to favourite bands or performers,
and approaches to questions of music documentary and form, from the celluloid to the
digital age."--Publisher's website.
676 .. $a 780.267 $v 23
801 .3 $a US $b OCoLC $c 20130919 $c 20170123 $h 768171382 $2 marc21
930 .. $5 FR-759999999:43673088001001 $a ACQNUM-335 $b 759999999 $c Document numérisé $d N
