Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation

Titre(s) : Media and cultural studies [Texte imprimé] : keyworks / edited by Meenakshi Gigi Durham and Douglas M. Kellner

Édition : 2nd ed.

Publication : Malden (Mass.) : Wiley-Blackwell, 2012

Description matérielle : vii, 635 p. ; 25 cm

Comprend : Preface to the Revised Edition; Adventures in Media and Cultural Studies: Introducing the KeyWorks; 1 The Ruling Class and the Ruling Ideas; 2 (i) History of the Subaltern Classes; (ii) The Concept of "Ideology"; (iii) Cultural Themes: Ideological Material; 3 The Work of Art in the Age of Mechanical Reproduction; 4 The Culture Industry: Enlightenment as Mass Deception; 5 The Public Sphere: An Encyclopedia Article; 6 Ideology and Ideological State Apparatuses (Notes Towards an Investigation); 7 (i) Operation Margarine; (ii) Myth Today; 8 The Medium is the Message.
9 The Commodity as Spectacle;10 Introduction: Instructions on How to Become a General in the Disneyland Club; 11 Base and Superstructure in Marxist Cultural Theory; 12 (i) From Culture to Hegemony; (ii) Subculture: The Unnatural Break; 13 Encoding/Decoding; 14 On the Politics of Empirical Audience Research; 15 Contribution to a Political Economy of Mass-Communication; 16 On the Audience Commodity and its Work; 17 A Propaganda Model; 18 Not Yet the Post-Imperialist Era; 19 Gendering the Commodity Audience: Critical Media Research, Feminism, and Political Economy; 20 (i) Introduction.
(ii) The Aristocracy of Culture21 On Television; 22 Visual Pleasure and Narrative Cinema; 23 Stereotyping; 24 The readers and their romances; 25 Eating the Other: Desire and Resistance; 26 Booty call: sex, violence, and images of black masculinity; 27 British Cultural Studies and the Pitfalls of Identity; 26 Under Western Eyes: Feminist Scholarship and Colonial Discourses; 27 Hybrid Cultures, Oblique Powers; 28 The Precession of Simulacra; 29 Hybrid cultures, oblique powers; 30 The precession of simulacra; 31 Postmodernism, or the Cultural Logic of Late Capitalism; 32 Feminism, Postmodernism and the "Real Me"; 33 Postmodern Virtualities; 34 Quentin Tarantino's Star Wars?: Digital Cinema, Media Convergence, and Participatory Culture.
35 Alternative and activist new media: a genre framework; 36 Social network sites: definition, history, and scholarship; 37 Disjuncture and Difference in the Global Cultural Economy; 38 The Global and the Local in International Communications; 39 The homeland Aztlan; 40 The Processes: From Nationalisms to Transnationalisms; 41 Globalization as Hybridization; 42 (Re)Asserting National Television And National Identity Against the Global, Regional, and Local Levels of World Television; 43 Oppositional Politics and the Internet: A Critical/ Reconstructive Approach; Acknowledgments; Index.

Note(s) : Includes bibliographical references and index

Autre(s) auteur(s) : Durham, Meenakshi Gigi. Éditeur scientifique  Voir les notices liées en tant qu'auteur
Kellner, Douglas (1943-....). Éditeur scientifique  Voir les notices liées en tant qu'auteur

Sujet(s) : Cultural studies  Voir les notices liées en tant que sujet
Médias  Voir les notices liées en tant que sujet
Culture de masse  Voir les notices liées en tant que sujet
Culture populaire  Voir les notices liées en tant que sujet

Indice(s) Dewey :  302.23 (23e éd.) = Médias (modes de communication)  Voir les notices liées en tant que sujet

Identifiants, prix et caractéristiques : ISBN 9780470658086 (pbk.) (alk. paper). - ISBN 0470658088 (pbk.) (alk. paper)

Identifiant de la notice  : ark:/12148/cb42595510c

Notice n° :  FRBNF42595510 (notice reprise d'un réservoir extérieur)