Notice bibliographique
- Notice
Au format Unimarc
000 cam 22 3 450
001 FRBNF425435160000007
010 .. $a 9781844572922 $b pbk.
010 .. $a 1844572927 $b pbk.
035 .. $a OCoLC647976801
100 .. $a 20120507d2011 m y0engy50 ba
101 0. $a eng
102 .. $a GB
105 .. $a a z 00|y|
106 .. $a z
181 .0 $6 01 $a i $b xxxe $a b $b xb2e
181 .. $6 02 $c txt $c sti $2 rdacontent
182 .0 $6 01 $a n
182 .. $6 02 $c n $2 rdamedia
200 1. $a The godfather $b Texte imprimé $f Jon Lewis
210 .. $a London $a New York $c British Film Institute $c Palgrave Macmillan $d 2011
215 .. $a 96 p. $c ill. (some col.) $d 19 cm
225 |. $a BFI film classics
300 .. $a Includes bibliographical references
327 1. $a I believe in America ; I believe in Hollywood ; I believe in the mafia.
330 .. $a "Francis Ford Coppola's The Godfather (1972) marked a transition in American filmmaking,
and its success as a work of art, as a creative property exploited by its studio,
Paramount Pictures, as a model for aspiring filmmakers - changed Hollywood forever.
Jon Lewis's study of the film looks at the significance of The Godfather in Hollywood's
dramatic box-office turnaround in the 1970s and offers a critical and historical discussion
of The Godfather's place within the crime and gangster film genre. Lewis focuses on
the film as a commercial as well as an artistic landmark of American auteur cinema,
as a singularly important film in Hollywood studio history and as a brilliant reworked
modern genre picture that at once adopts and adapts the gangster film."--
410 .0 $0 34283101 $t BFI film classics $d 2011
676 .. $a 791.437 2 $v 23
801 .3 $a US $b OCoLC $c 20120507 $h 647976801 $2 marc21
801 .0 $b DLC
930 .. $5 FR-759999999:42543516001001 $a 791.430 92 COPP 7 g $b 759999999 $c Tolbiac - Rez de Jardin - Audiovisuel - Salle P - Libre accès $d N
