Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Savage, Steve (1948-....)
Titre(s) : Bytes and backbeats [Texte imprimé] : repurposing music in the digital age / Steve Savage
Publication : Ann Arbor, Mich. : University of Michigan press, 2013
Description matérielle : x, 251 pages ; 24 cm
Collection : Tracking pop
Lien à la collection : Tracking pop
Comprend : Introduction: Reproduction and new paradigms ; Part 1: Repurposing presentation.
Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy
breathing ; Art or artifice? ; Part 2: Repurposing performance. Application study
: jazz piano trio ; Studio study : capturing the unintentional performance ; Artist
or artisan? ; Part 3: Repurposing participation. Application study : African folklore
and music communities ; Studio study: from iPod to GarageBand ; Integration or (dis)integration?
; Conclusion: Reflections on the future.
Note(s) : Includes bibliographical references (pages 219-228) and index
"From Attali's 'cold social silence' to Baudrillard's hallucinatory reality, reproduced
music has long been the target of critical attack. In Bytes and Backbeats, however,
Steve Savage deploys an innovative combination of designed recording projects, ethnographic
studies of contemporary music practice, and critical analysis to challenge many of
these traditional attitudes about the creation and reception of music. Savage adopts
the notion of 'repurposing' as central to understanding how every aspect of musical
activity, from creation to reception, has been transformed, arguing that the tension
within production between a naturalizing 'art' and a self-conscious 'artifice' reflects
and feeds into our evolving notions of creativity, authenticity, and community. At
the core of the book are three original audio projects, drawing from rock 悸ll, jazz,
and traditional African music. Through these projects--and with the aid of newly imagined
techniques of computer-based recording--Savage is able to target areas of contemporary
practice that are particularly significant in the cultural evolution of the musical
experience, from the perspective of composers, musicians, and listeners. Each audio
project includes a studio study providing context for the social and cultural analysis
that follows. This work stems from Savage's experience as a professional recording
engineer and record producer."--Jacket
Sujet(s) : Enregistrements sonores -- Production et édition
Son -- Enregistrement et reproduction -- Techniques numériques
Musique populaire -- Disques
Indice(s) Dewey :
781.641 49 (23e éd.) = Musique populaire occidentale - Enregistrement de la musique
Identifiants, prix et caractéristiques : ISBN 9780472117857. - ISBN 0472117858. - ISBN 9780472035533. - ISBN 0472035533. -
ISBN 9780472027736 (erroné). - ISBN 0472027735 (erroné)
Identifiant de la notice : ark:/12148/cb45047256v
Notice n° :
FRBNF45047256
(notice reprise d'un réservoir extérieur)
