Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Auteur(s) : London consortium
Titre(s) : Godard's Contempt [Texte imprimé] : essays from the London Consortium / edited by Colin MacCabe and Laura Mulvey
Publication : Malden, MA : Wiley-Blackwell, 2012
Description matérielle : viii, 242 p. : ill. ; 23 cm
Collection : Critical quarterly book series ; 5
Lien à la collection : Critical quarterly book series
Comprend : Introduction /by Colin McCabe -- ; Foreground, background, drama: the cinematic space
of Le mépris /Ross Exo Adams -- ; Godard's apart-ment architectures: the reality of
abandonment in Le mépris /Alice Gavin -- ; "O gods . . ." hidden Homeric deities in
Godard's Le mépris /James Wilkes -- ; Godard's women /Nicky Falkof --The ; signature
of the French New Wave (Godard's Le mépris) /Jake Reeder --Le ; mépris and the Hollywood
musical /John Shanks --The ; written and the writing or how Godard's film functions
textually /Elia Ntaousani -- ; Pure cinema? Blanchot, Godard, Le mépris /Oliver Harris
-- ; Stasis and statuary in Bazinian cinema /Jonathan Law -- ; "Faux raccord": mismatch,
noise and transformation in the work of Jean-Luc Godard /Rob Gallagher -- ; Anti-theatricality
and gesture as antidotes to the commodification of cinema: Godard's Le mépris and
Pasolini's La ricotta /Elena Crippa -- ; "Not necessarily in that order": contempt,
adaptation and the metacinematic /William Viney -- ; "So what am I supposed to do?"
: thoughts of action and actions of thought in Godard's contempt /Richard Martin --
; In translation: re-conceptualising "home" through Le mépris and its source texts
/Jonathan Gross -- ; Producing Prokosch: Godard, Levine, Palance, Minnelli and a lament
to lost Hollywood /Walter Stabb -- ; Experimenting with cinema in Godard's Le mépris:
the past and the present between possibility and impossibility /Raphaelle J Burns
-- ; Cinema at the intervals of cinema /Burhanuddin Baki -- ; Godard's lingering camera
from Le mépris to Passion and back /Anna Manubens --Le ; Mépris (Jean-Luc Godard 1963)
and its story of cinema: a "fabric of quotations" /by Laura Mulvey
Note(s) : Includes bibliographical references and index
"Godard's Contempt (Le Mepris) remains one of the most intriguing and critically discussed
twentieth century films. An experimental film made with a Hollywood budget and a stellar
cast, an adaptation of a famous novel which completely transforms the source material's
themes and concerns, and the climax of the Nouvelle Vague, which also signalled its
collapse, Contempt is paradoxical as well as one of the most beautiful movies ever
made. The essays collected in Godard's Contempt construct a framework for a renewed
set of questions and analyses of Godard's great modern classic. Drawing on work by
young scholars from the London Consortium, the essays benefit from their wide range
of disciplinary and cultural backgrounds. One of the most exciting recent experiments
in graduate education, the Consortium is a partnership of five institutions: the Architectural
Association, Birkbeck, University of London, the Institute of Contemporary Arts, the
Science Museum and the Tate. With an introduction by MacCabe and a post-script by
Mulvey, the collection combines work from those most established of film critics with
the very freshest and most varied voices"--
Sujet(s) : Godard, Jean-Luc (1930-2022) -- Critique et interprétation
Le mépris (film)
Identifiants, prix et caractéristiques : ISBN 9781444339314 (pbk.). - ISBN 1444339311 (pbk.)
Identifiant de la notice : ark:/12148/cb436456389
Notice n° :
FRBNF43645638
(notice reprise d'un réservoir extérieur)
