Notice bibliographique

  • Notice

Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation

Auteur(s) : Christgau, Robert (1942-....)  Voir les notices liées en tant qu'auteur

Titre(s) : Book reports [Texte imprimé] : a music critic on his first love, which was reading / Robert Christgau

Publication : Durham : Duke University Press, copyright 2019

Description matérielle : 1 vol. (xiv, 398 pages)

Note(s) : Includes bibliographical references and index
In this generous collection of book reviews and literary essays, Robert Christgau shows readers a different side to his esteemed career with reviews of books ranging from musical autobiographies, criticism, and histories to novels, literary memoirs, and cultural theory


Sujet(s) : Recensions de livres  Voir les notices liées en tant que sujet
Musique  Voir les notices liées en tant que sujet

Genre ou forme : Bibliographie critique  Voir les notices liées en tant que genre ou forme

Indice(s) Dewey :  780.904 (23e éd.) = Musique - 1900-1999  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 9781478002123. - ISBN 1478002123. - ISBN 9781478000112 (erroné). - ISBN 1478000112 (erroné). - ISBN 9781478000303 (erroné). - ISBN 1478000309 (erroné)

Identifiant de la notice  : ark:/12148/cb46558500h

Notice n° :  FRBNF46558500 (notice reprise d'un réservoir extérieur)



Table des matières : Collectibles ; The informer: John Leonard's when the kissing had to stop ; Advertisements for everybody else: Jonathan Lethem's the ecstasy of influence ; Democratic vistas: Dave Hickey's air guitar ; From blackface minstrelsy to track-and-hook ; In search of Jim Crow: why postmodern minstrelsy studies matter ; The old ethiopians at home: Ken Emerson's doo-dah! ; Before the blues: David Wondrich's stomp and swerve ; Rhythms of the universe: Ned Sublette's Cuba and its music ; Black melting pot: David B. Coplan's in township tonight! ; Bwana-acolyte in the favor bank: Banning Eyre's in griot time ; In the crucible of the party: Charles Keil et al. Bright Balkan morning ; Defining the folk: Benjamin Filene's romancing the folk ; Folking around: David Hajdu's positively 4th street ; Punk lives: Legs Mcneil and Gillian Mccain's please kill me ; Biography of a corporation: Nelson George's where did our love go? ; Hip-hop faces the world: Steven Hager's hip hop; David Toop's the rap attack; and Nelson George, Sally Banes, Susan Flinker, and Patty Romanowski's fresh ; Making out like gangsters: Preston Lauterbach's the chitlin circuit, Dan Charnas's the big ; Payback, ice-t's ice, and Tommy James's me, the mob, and music ; Money isn't everything: Fred Goodman's the mansion on the hill ; Mapping the earworm's genome: John Seabrook's the song machine ; Critical practice ; Beyond the symphonic quest: Susan Mcclary's feminine endings ; All in the tune family: Peter van Der Merwe's origins of the popular style ; Bel cantos: Henry Pleasants's the great American popular singers ; The country and the city: Charlie Gillett's the sound of the city ; Reflections of an aging rock critic: Jon Landau's it's too late to stop now ; Pioneer days: Kevin Avery's everything is an afterthought and Nona Willis Aronowitz's (ed.) ; Out of the vinyl deeps ; Impolite discourse: Jim Derogatis's let it blurt: the life and times of Lester Bangs ; America's greatest rock critic, Richard Meltzer's a whore jus like the rest, and Nick Tosches's. The Nick Tosches reader ; Journalism and/or criticism and/or musicology and/or sociology (and/or writing): Simon Frith ; Serious music: Robert Walser's running with the devil ; Minutes of ... : William York's who's who in rock music ; The fanzine worldview, alphabetized: Ira A. Robbins's trouser press guide to new wave records ; Awesome: Simon Reynolds's blissed out ; Ingenuousness lost: James Miller's flowers in the dustbin ; Rock criticism lives: Jessica Hopper's the first collection of criticism by a living female rock critic ; Emo meets Trayvon Martin: Hanif Abdurraqib's they can't kill us until they kill us ; Lives in music inside and out ; Great book of fire: Nick Tosches's hellfire and Robert Palme's Jerry Lee Lewis rocks! ; That bad man, tough old huddie ledbetter: Charles Wolfe and Kip Lornell's the life and legend of leadbelly ; The impenetrable heroism of Sam Cooke: Peter Guralnick's dream boogie ; Bobby and dave: Bob Dylan's chronicles: volume one and Dave van Ronk's the mayor of Macdougal street ; Tell all: Ed Sanders's fug you and Samuel R. Delany's the motion of light in water ; King of the thrillseekers: Richard Hell's I dreamed i was a very clean tramp ; Lives saved, lives lost: Carrie Brownstein's hunger makes me a modern girl and Patti Smith's m train ; The cynic and the bloke: Rod Stewart's Rod: the autobiography and Donald Fagen's eminent hipsters ; His own shaman: RJ Smith's the one ; Spotlight on the queen: David Ritz's respect ; The realest thing you've ever seen: Bruce Springsteen's born to run ; Fictions ; Writing for the people: George Orwell's 1984 ; A classic illustrated: R. Crumb's the book of genesis ; The hippie grows older: Richard Brautigan's sombrero fallout ; Comic GUrdjieffianism you can masturbate to: Marco Vassi's mind blower ; Porn yesterday: Walter Kendrick's the secret museum ; What pretentious white men are good for: Robert Coover's Gerald's party ; Impoverished how, exactly? Roddy Doyle's the woman who walked into doors ; Sustainable romance: Norman's Rush's mortals ; Derring-do scraping by: Michael Chabon's telegraph avenue ; Futures by the dozen: Bruce Sterling's holy fire ; Ya poet of the massa woods: Sandra Newman's the country of ice cream star ; A darker shade of noir: the indefatigable Walter Mosley ; Bohemia meets hegemony ; Épatant le bourgeoisie: Jerrold Seigel's bohemian Paris and T.J. Clark's the painting of modern life ; The village people: Christine Stansell's American moderns ; A slender hope for salvation: Charles Reich's the greening of America ; The lumpenhippie guru: Ed Sanders's the family ; Strait are the gates: Morris Dickstein's gates of Eden ; The little counterculture that could: Carol Brightman's sweet chaos ; The pop-boho connection, narrativized: Bernard F. Gendron's between Montmartre and the Mudd club ; Cursed and sainted seekers of the sexual century: John Heidenry's what wild ecstasy ; Bohemias lost and found: Ross Wetzsteon's republic of dreams, Richard Kostelanetz's Soho and Richard Lloyd's neo-bohemias ; Autobiography of a pain in the neck: Meredith Maran's what it's like to live now ; Culture meets capital ; Twentieth century limited: Marshall Berman's all that is solid melts into air ; Dialectical cricket: C.L.R. James's beyond a boundary ; Radical pluralist: Andrew Ross's no respect ; Inside the prosex wars: Nadine Strossen's defending pornography, Joanma Frueh's erotic ; Faculties, and Laura Kipnis's bound and gagged ; Growing up kept down: William Finnegan's cold new world ; The secret fundamentalists: Jeff Sharlet's the family ; Dark night of the quants: ten books about the financial crisis ; They bet your life: four books about hedge funds ; Living in a material world: Raymond Williams's long revolution ; With a god on his side: Terry Eagleton's culture and the death of god, culture, and materialism ; My friend Marshall: Marshall Berman's modernism in the streets.

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