Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : Campbell, Stephen John (1963-....)
Titre(s) : The endless periphery [Texte imprimé] : toward a geopolitics of art in Lorenzo Lotto's Italy / Stephen J. Campbell
Publication : Chicago ; London : The University of Chicago press, copyright 2019
Description matérielle : 1 vol. (XXII, 351 p.) : ill. en coul. ; 27 cm
Collection : The Louise Smith Bross lecture series
Lien à la collection : Louise Smith Bross lecture series
Note(s) : Includes bibliographical references and index
While the masterpieces of the Italian Renaissance are usually associated with Italy's
historical seats of power, some of the era's most characteristic works are to be found
in places other than Florence, Rome, and Venice. They are the product of the diversity
of regions and cultures that makes up the country. In Endless Periphery, Stephen J.
Campbell examines a range of iconic works in order to unlock a rich series of local
references in Renaissance art that include regional rulers, patron saints, and miracles,
demonstrating, for example, that the works of Titian spoke to beholders differently
in Naples, Brescia, or Milan than in his native Venice. More than a series of regional
microhistories, Endless Periphery tracks the geographic mobility of Italian Renaissance
art and artists, revealing a series of exchanges between artists and their patrons,
as well as the power dynamics that fueled these exchanges. A counter history of one
of the greatest epochs of art production, this richly illustrated book will bring
new insight to our understanding of classic works of Italian art
Sujet(s) : Lotto, Lorenzo (1480-1556)
Identifiants, prix et caractéristiques : ISBN 9780226481456 (rel.). - ISBN 022648145X. - ISBN 9780226481593 (erroné)
Identifiant de la notice : ark:/12148/cb46505848k
Notice n° :
FRBNF46505848
(notice reprise d'un réservoir extérieur)
Table des matières : Off the axis : the renaissance without Vasari ; Working with "and without" Vasari's
lives ; Court centers as world cities ; What was Italy? ; Models for renaissance
cultural geography : dialect pluralism versus literary canons ; Place, event, and
the geopolitics of art ; Place in relational geography ; Place as event and performance
in an altarpiece by Lorenzo Lotto ; Regionalism and its discontents ; The view from
Messina : Lombards, Sicilians, and the modern manner ; The questione meridionale
in the history of art ; A southern renaissance without Vasari ; Cesare da Sesto
: raffaelesco or anti-Raphael? ; Polidoro da Caravaggio's radical late style ; Distant
cities: Lorenzo Lotto and Gaudenzio Ferrari ; Lorenzo Lotto : an artist "out of place"
; Lotto and Gaudenzio : parallel careers ; From Varallo to Loreto : landscapes of
pilgrimage ; Holding Rome at a distance : Lotto's Loreto network ; Excursus: the
meaning of style ; Coercive geometry ; Moti : emotional dynamics ; Gaudenzio as
city artist ; Brescia and Bergamo, 1520-50 : sacred naturalism and the place of the
eucharist ; Eucharistic heterotopias in Lombardy : Romanino at Pisogne ; Painting/christogram/eucharist
; Moretto and the "materiality" of style ; Against Titian ; Artists "off the axis":
the Campi, the Carracci, and the legacy of Correggio ; The afterlife of Titian in
Milan ; The 1540s : Titian as "Italian" artist ; Ludovico Dolce and the invention
of Venetian painting ; The placelessness of Titian's late style
