Notice bibliographique

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Type(s) de contenu et mode(s) de consultation : Texte : sans médiation

Auteur(s) : Firestone, Evan Richard  Voir les notices liées en tant qu'auteur

Titre(s) : Animism and shamanism in twentieth-century art [Texte imprimé] : Kandinsky, Ernst, Pollock, Beuys / Evan R. Firestone

Publication : . - New York : Routledge, Taylor & Francis Group, 2017

Description matérielle : xiv, 197 pages : illustrations ; 26 cm

Comprend : Kandinsky and animism: "Everything 'dead' trembled" ; Max Ernst's La femme 100 têtes: a shamanic-alchemical romance ; Vision quest: Jackson Pollock and the Native-American spirit world ; Joseph Beuys as shaman: the medium is the message ; Conclusion: the occult, primitivism, modernism, and anti-modernism ; Addendum: Beuys redux.

Note(s) : Includes bibliographical references (pages 176-190) and index
Wassily Kandinsky, Max Ernst, Jackson Pollock, and Joseph Beuys were the leading artists of their generations to recognize the rich possibilities that animism and shamanism offered. While each of these artists' connection with shamanism has been written about separately, Evan Firestone brings the four together in order to compare their individual approaches to anthropological materials and to define similarities and differences between them. The author's close readings of their works and examination of the relevant texts available to them reveal fresh insights and new perspectives. The importance of indigenous beliefs in animism for Kandinsky's philosophy of art and practice, especially the animism of inanimate objects, is analyzed for the first time in conjunction with his well-known enthusiasms for Symbolism and Theosophy. Ernst's collage novel, 'La femme 100 tetes' (1929), previously found to have significant alchemical content, also is shown to extensively utilize shamanism, thereby merging different branches of the occult that prove to have remarkable similarities. The in-depth examination of Pollock's works, both known and overlooked for shamanic content, identifies textual sources that heretofore have escaped notice. Firestone also demonstrates how shamanism was employed by this artist to express his desire for healing and transformation. The author further argues that the German edition of Mircea Eliade's 'Shamanism: Archaic Techniques of Ecstasy' (1957) helped to revitalize Beuys's life and art, and that his ecological campaigns reflected a new consciousness later termed ecoanimism

Autre(s) forme(s) du titre : 
- Autre forme du titre : Animism and shamanism in 20th-century art

Sujet(s) : Kandinsky, Wassily (1866-1944)  Voir les notices liées en tant que sujet
Ernst, Max (1891-1976)  Voir les notices liées en tant que sujet
Pollock, Jackson (1912-1956)  Voir les notices liées en tant que sujet
Beuys, Joseph (1921-1986)  Voir les notices liées en tant que sujet
Chamanisme -- Dans l'art  Voir les notices liées en tant que sujet
Art et religion  Voir les notices liées en tant que sujet

Indice(s) Dewey : 704.948 (23e éd.)  Voir les notices liées en tant que sujet

Numéros : ISBN 9781472477347. - ISBN 1472477340 (rel)

Notice n° :  FRBNF45126965 (notice reprise d'un réservoir extérieur)

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