Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation
Titre conventionnel : [Exposition. Chicago, Art institute. 2016]
Titre(s) : Van Dyck, Rembrandt, and the portrait print [Texte imprimé] : [exhibition, Art Institute of Chicago, March 5-August 7, 2016] / Victoria Sancho Lobis ; with an essay by Maureen Warren ; [organized by the Art Institute of Chicago]
Publication : Chicago : The Art Institute of Chicago, cop. 2016
Description matérielle : 1 vol. (108 p.) : ill. en coul. ; 26 cm
Note(s) : Bibliogr. p. 105-107
"In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking
project that changed the conventions of portraiture. In a series later named The Iconography,
he portrayed artists alongside kings, courtiers, and diplomats--a radical departure
from preexisting conventions. He also depicted his subjects in novel ways, focusing
on their facial features often to the exclusion of symbolic costumes or props. In
addition to illustrating approximately 60 works by Van Dyck and other artists from
his era--particularly Rembrandt--this catalogue traces the artist's influence over
hundreds of years. Showcasing both 17th-century portraits in a variety of media and
portrait prints by a wide range of artists spanning the 16th through the 20th century--including
Albrecht Durer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine--the
book demonstrates the indelible mark that Van Dyck left on the genre"
Sujet(s) : Van Dyck, Anton (1599-1641)
Rembrandt (1606-1669)
Portraits (gravure) -- 16e siècle
Genre ou forme : Catalogues d'exposition
Identifiants, prix et caractéristiques : ISBN 9780300218824. - ISBN 0300218826 (rel.)
EAN 9780300218824
Identifiant de la notice : ark:/12148/cb450170409
Notice n° :
FRBNF45017040
(notice reprise d'un réservoir extérieur)
