Notice bibliographique

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Type(s) de contenu et mode(s) de consultation : Texte noté. Image fixe : sans médiation

Auteur(s) : La Chapelle, Peter (1970-....)  Voir les notices liées en tant qu'auteur

Titre(s) : Proud to be an Okie [Texte imprimé] : cultural politics, country music, and migration to Southern California / Peter La Chapelle

Publication : Berkeley, Calif. : University of California Press, c2007

Description matérielle : xiv, 350 p. : ill., maps ; 23 cm

Collection : American crossroads ; 22

Lien à la collection : American crossroads 


Comprend : Part I : Big city ways ; At the crossroads of whiteness : antimigrant activism, eugenics, and popular culture ; Refugees : Woody Guthrie, "Lost Angeles," and the radicalization of migrant identity ; Rhythm kings and riveter queens : race, gender, and the eclectic populism of wartime western swing ; Part II : Rhinestones and ranch homes ; Ballads for the crabgrass frontier : suburbanization, whiteness and the unmaking of Okie musical ethnicity ; Playing second fiddle no more? : country music, domesticity, and the women's movement ; Fightin' sides : "Okie from Muskogee," conservative-populism, and the uses of migrant identity ; Reprise : Dueling populisms : the Okie legacy in national regional country music.

Note(s) : Chapters 1 and 5 are revised versions of essays previously published in the collected volumes Moving Stories: Migration and the American West, 1850/2000, edited by Scott E. Casper and Lucinda Long (Nevada Humanities Committee, 2001), and A Boy Named Sue: Gender and Country Music, edited by Kristine M. McCusker and Diane Pecknold (University Press of Mississippi, 2004). A portion of Chapter 4 appeared in Dress: The Annual Journal of the Costume Society of America 28 (2001): pp. 3/12. - Includes bibliographical references (p. 313-328) and index
Proud to Be an Okie brings to life the influential country music scene that flourished in and around Los Angeles from the Dust Bowl migration of the 1930s to the early 1970s. The first work to fully illuminate the political and cultural aspects of this intriguing story, the book takes us from Woody Guthrie's radical hillbilly show on Depression-era radio to Merle Haggard's "Okie from Muskogee" in the late 1960s. It explores how these migrant musicians and their audiences came to gain a sense of identity through music and mass media, to embrace the New Deal, and to celebrate African American and Mexican American musical influences before turning toward a more conservative outlook. What emerges is a clear picture of how important Southern California was to country music and how country music helped shape the politics and culture of Southern California and of the nation [Publisher description]


Sujet(s) : Musique et politique  Voir les notices liées en tant que sujet
Politique et culture  Voir les notices liées en tant que sujet
Country -- Californie (États-Unis ; sud)  Voir les notices liées en tant que sujet

Indice(s) Dewey :  781.642 0973 (23e éd.) = Musique country - Etats-Unis  Voir les notices liées en tant que sujet


Identifiants, prix et caractéristiques : ISBN 9780520248885 (cloth) (alk. paper). - ISBN 0520248880 (cloth) (alk. paper). - ISBN 9780520248892 (pbk.) (alk. paper). - ISBN 0520248899 (pbk.) (alk. paper)

Identifiant de la notice  : ark:/12148/cb43823589c

Notice n° :  FRBNF43823589 (notice reprise d'un réservoir extérieur)



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