Notice bibliographique

Notice

Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation

Auteur(s) : Houston, Gail Turley (1950-....) Voir les notices liées en tant qu'auteur

Titre(s) : Victorian women writers, radical grandmothers, and the gendering of God [Texte imprimé] / Gail Turley Houston

Publication : Columbus : Ohio State University Press, 2013

Description matérielle : xi-181 pages ; 24 cm

Collection : Literature, religion, and postsecular studies

Lien à la collection : Literature, religion, and postsecular studies

Comprend : Introduction : antecedents of the Victorian "goddess story" ; "Gods of the old mythology arise" : Charlotte Brontë's vision of the "goddess story" ; Feminist reincarnations of the Madonna : Anna Jameson and ecclesiastical debates on the immaculate conception ; Invoking "all the godheads" : Elizabeth Barrett Browning's polytheistic aesthetic ; Eve, the female messiah, and the Virgin in Florence Nightingale's personal and public papers ; Ariadne and the Madonna : the hermeneutics of the goddess in George Eliot's Romola.

Note(s) : Includes bibliographical references (pages 145-170) and index
"If Victorian women writers yearned for authorial forebears, or, in Elizabeth Barrett Browning's words, for "grandmothers," there were, Gail Turley Houston argues, grandmothers who in the late eighteenth and early nineteenth centuries envisioned powerful female divinities that would reconfigure society. Like many Victorian women writers, they experienced a sense of what Barrett Browning termed "mother-want" inextricably connected to "mother-god-want." These millenarian and socialist feminist grandmothers believed the time had come for women to initiate the earthly paradise that patriarchal institutions had failed to establish. Recuperating a symbolic divine in the form of the Great Mother--a pagan Virgin Mary, a female messiah, and a titanic Eve--Joanna Southcott, Eliza Sharples, Frances Wright, and others set the stage for Victorian women writers to envision and impart emanations of puissant Christian and pagan goddesses, enabling them to acquire the authorial legitimacy patriarchal culture denied them. Though the Victorian authors studied by Houston--Barrett Browning, Charlotte Brontë, Florence Nightingale, Anna Jameson, and George Eliot--often masked progressive rhetoric, even in some cases seeming to reject these foremothers, their radical genealogy reappeared in mystic, metaphysical revisions of divinity that insisted that deity be understood, at least in part, as substantively female."--Publisher's description

Sujet(s) : Littérature anglaise -- Femmes écrivains Voir les notices liées en tant que sujet
Femmes écrivains anglaises -- 19e siècle Voir les notices liées en tant que sujet
Religion et littérature Voir les notices liées en tant que sujet