Notice bibliographique
- Notice
Type(s) de contenu et mode(s) de consultation : Texte noté : sans médiation
Auteur(s) : World congress of Scottish literatures (01 ; 2014 ; Glasgow, GB)
Titre(s) : Inspiring views from "a' the airts" on Scottish literatures, art & cinema [Texte imprimé] : the First World Congress of Scottish literatures in Glasgow 2014 / Klaus Peter Muller, Ilka Schwittlinsky, Ron Walker (eds.)
Publication : Frankfurt am Main : P. Lang, copyright 2017
Description matérielle : 1 vol. (VII-428 p.) ; 22 cm
Collection : Scottish studies international ; 41
Lien à la collection : Scottish studies international
Note(s) : Includes bibliographical references and index
Autre(s) auteur(s) : Müller, Klaus Peter (1950-....). Éditeur scientifique
Schwittlinsky, Ilka. Éditeur scientifique
Walker, Ron (1955-....). Éditeur scientifique
Sujet(s) : Littérature écossaise
Cinéma -- Écosse (GB)
Arts -- Écosse (GB)
Genre ou forme : Actes de congrès
Identifiants, prix et caractéristiques : ISBN 9783631672853. - ISBN 3631672853. - ISBN 9783653069020 (erroné). - ISBN 9783631705018
(erroné). - ISBN 9783631705025 (erroné)
Identifiant de la notice : ark:/12148/cb45539543g
Notice n° :
FRBNF45539543
(notice reprise d'un réservoir extérieur)
Table des matières : Klaus Peter Müller, Ron Walker: Inspiring Views from "a' the airts": Intriguing Foci
on Current and Future Research ; Creative Writers' Views on (Scottish) Literature,
Poetry & History. James Robertson: Shall there be a Scottish Literature? ; Henry
Marsh: The Interface between Poetry and History ; Scottish Art & Scottish Cinema:
The Problem of Survival, Remote Reading, the Gothic, and Many Paradoxes. Murdo Macdonald:
James Macpherson's Ossian and European Art ; John Caughie: Early Cinema in Scotland:
Film and Literature ; Duncan Petrie: The Enduring Power of the Gothic in Contemporary
Scottish Cinema ; The Scottish Enlightenment: Media & Freedom. Alastair Mann: Ideologies
Inked In: Scotland's Culture of Print in the Union Debate of 1706. Andrew Hook: The
Scottish Enlightenment: Home and Away ; Robert Burns: Commonplace Networking. Gerard
Carruthers: Fraternal Claims: The Brotherhoods of Robert Burns ; Nigel Leask: "Writing
myself out": Robert Burns and the Eighteenth-Century Commonplace Book Tradition ;
John Galt: Disturbing Omens and New Sociological Connections. Ian Duncan: Fictions
of Clairvoyance: John Galt's The Omen and George Eliot's The Lifted Veil ; Angela
Esterhammer: Interpreting Galt's Omen ; Regina Hewitt: Scottish Literature and Utopian
Theory: The Galt Connection ; J. M. Barrie: Surfaces and Hidden Layers. Kirsten Stirling:
More Anon: Autobiography and Fiction in the Work of J. M. Barrie ; Scotland and War:
British Homogeneity vs Scottish Particularity. David Goldie: "I may claim thee for
my ain": the Scottish Voice in First World War Poetry ; Roderick Watson: "No gods
and precious few heroes": Writing War 1939-45 ; Silvia Mergenthal: Scots at War,
or Private Mucklewame's Lower Dorsal Curve: Ian Hay's The First Hundred Thousand
; New Scottish Writing: Collaborative, Connective, Emergent & Engaging. Robert Morace:
Mapping Post-Devolution Scottish Fiction ; Jeanne Schaaf: The Strange Redoing of
Popular Storytelling: a Study of David Greig's The Strange Undoing of Prudencia Hart
; Len Wanner: Partners in Crime? Cross-Examining Scotland's Two Most Famous Serial
Killer Novelists ; Views Presented by the University of Mainz 'Scottish Studies Centre'
Germersheim. Klaus Peter Müller: (Scottish) History in Scottish Novels: Theory,ractice,
Agency ; Miriam Schroeder: New Scots' Views on Scotland: The Narratives of Scottish
Ethnic Minorities ; Ron Walker: Being of a Spiritual Nature: the Natural, the Supernatural,
the Land and the Mountain.
